Nicolas Ghesquière Biography, Age, Height, Wife, Net Worth and Family

In 2022, Ghesquière acquired John Lautner’s Wolff House for $11 million from Amanda Hearst in an off-market deal.

Ghesquière designed a series of character skins for the video game League of Legends in 2019.

Since joining Louis Vuiton, Ghesquière has regularly showcased his designs with shows in architectural landmarks including the Louvre in Paris – it was the first time the museum had allowed a fashion house to stage a show there –; Monaco’s Palace Square (2014); Hope Residence in Palm Springs (2015); the Niterói Contemporary Art Museum in Rio de Janeiro (2016); the Miho Museum near Kyoto (2017); Fondation Maeght in Saint-Paul de Vence (2018); and the TWA Flight Center (2019).

On 4 November 2013, Ghesquière officially replaced Marc Jacobs at Louis Vuitton as creative director for the women’s collections. Some of his first designs for Louis Vuitton debuted on the red carpet, as worn by the actress Jennifer Connelly. On 5 March 2014, Ghesquière had his first show under the LV brand. LVMH renewed Ghesquière’s contract as artistic director of the women’s collections in 2018 and 2022.

Ghesquière was born in Comines, Nord, the younger of two sons of a Francophone Belgian golf-course owner and manager in the 7,500-inhabitant Poitevine town of Loudun and a French mother, who enjoyed fashion. He grew up in Loudun, Vienne. From a young age, Ghesquière enjoyed and practiced sports, such as horse riding, fencing, and swimming, and, in fact, many of his collections today use that inspiration, most notably his scuba mini dresses and his equestrian-inspired fall/winter 2006 ready-to-wear collection.

In 2002, Ghesquière was embroiled in controversy when he was accused of plagiarizing from a deceased designer. Ghesquière was forced to admit that he had copied a patchwork vest from San Francisco designer Kaisik Wong — who died in 1990 — for the Balenciaga Spring/Summer 2002 collection. The design by Wong appeared in a 1974 reference book, Native Funk & Flash. Ghesquière said, “I’m very flattered that people are looking at my sources of inspiration. This is how I work. I’ve always said I’m looking at vintage clothes.”

While working as the label’s creative director, Ghesquière continued to design two Italian collections — Trussardi, then Callaghan — until 2001. Callaghan’s Spring 2001 Ready-to-Wear show was the first ever in New York for the then 35-year-old fashion house, and also served as the US debut for Ghesquière.

The Gucci Group (PPR) bought Balenciaga in 2001. Ghesquière, who wanted to stay and expand Balenciaga, could only be bought through the house. “It is a happy relationship,” Ghesquière said. “It has worked because they wanted me to explain what I wanted to do with Balenciaga, not the other way around.” Ghesquière’s collections have had a considerable commercial impact, particularly through his influence on other designers, including his former staff members Julien Dossena, Camille Miceli, and Natacha Ramsay-Levi. During his 15-year tenure at Balenciaga, Ghesquière is widely credited with having helped turn the fashion label into one of the fastest-growing and most profitable brands of parent PPR. During that time, he assembled one of the largest production teams in Paris with upwards of 30 people in the design studio and 50 in the fabrication ateliers. In November 2012, PPR announced his departure from Balenciaga.

In October 2000, Ghesquière was named avant-garde designer of the year at the VH1/Vogue Fashion Awards, and, a year later, he was named Womenswear Designer of the Year by the CFDA. In 2006, he was among the TIME 100 Most Influential People. Two years later, he was named Designer of the Year at the Accessories Council Excellence Awards. Ghesquière was described as “fashion’s most sought-after and influential figure” by American Vogue and was also cited as the International Designer of the Year in 2014 by the British Fashion Awards.

In 1997, at the young age of 25, Ghesquière was the surprise choice to head Balenciaga, promoted to creative director of Balenciaga after his Dutch predecessor Josephus Thimister was fired following a highly unsuccessful show. In this capacity, he was put in charge of the brand’s entire image, from clothing and accessories to store design and advertising. Following his appointment, he had less than four months to design the spring-summer 1998 collection from scratch.

After graduating from high school at age 18, Ghesquière turned down a place at art school to work as an assistant to designer Jean-Paul Gaultier from 1990 to 1992. He went on to work at Pôles, designing its knitwear line followed by a series of inauspicious assignments with different companies, including the Italian house of Callaghan.

Nicolas Ghesquière (French pronunciation: ​[nikɔla ʒɛskjɛʁ]; born 9 May 1971) is a French-Belgian fashion designer who has been the women’s creative director of the house of Louis Vuitton (owned by LVMH) since 2013.

Through his contacts with Marie-Amélie Sauvé and Nathalie Marrec, Ghesquière eventually landed a job doing the licensing for Paris fashion house Balenciaga and designing for the Asian market. At that time, Balenciaga had limited success since the 1970s and was owned by Groupe Jacques Bogart, whose management realized Ghesquière’s talent when he designed a small collection for one of its Japanese licensees. (The label’s founder, Cristóbal Balenciaga, died in 1972.) Ghesquière held, as he then described it, “what many would call the worst position in fashion,” designing suits and funeral clothes under a Balenciaga licence for Japan.