Age, Biography and Wiki

Haris Pašović was born on 16 July, 1961 in Sarajevo, SR Bosnia and Herzegovina, Yugoslavia, is a director. Discover Haris Pašović’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 62 years old?

Popular As N/A
Occupation Director
Age 62 years old
Zodiac Sign Cancer
Born 16 July, 1961
Birthday 16 July
Birthplace Sarajevo, SR Bosnia and Herzegovina, Yugoslavia
Nationality Bosnia and Herzegovina

We recommend you to check the complete list of Famous People born on 16 July.
He is a member of famous director with the age 62 years old group.

Haris Pašović Height, Weight & Measurements

At 62 years old, Haris Pašović height not available right now. We will update Haris Pašović’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don’t have much information about He’s past relationship and any previous engaged. According to our Database, He has no children.

Family
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Wife Not Available
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Children Not Available

Haris Pašović Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Haris Pašović worth at the age of 62 years old? Haris Pašović’s income source is mostly from being a successful director. He is from Bosnia and Herzegovina. We have estimated
Haris Pašović’s net worth
, money, salary, income, and assets.

Net Worth in 2023 $1 Million – $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income director

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Timeline

Haris Pašović is the main initiator of a large-scale event called Sarajevo Red Line which in April 2012 commemorated the Siege of Sarajevo’s 20th anniversary. This drama and music poem dedicated to Sarajevo citizens killed during the 1992–96 Bosnian War consisted of 11,541 red chairs placed on the main Sarajevo street and it included a street exhibition and a concert. The event received a big international coverage in the media and was broadcast live in a number of TV stations.

In 2005, Pašović established the East West Theatre Company and directed a number of shows. Pašović also writes the plays. He wrote Rebellion at the National Theatre, Ulysses, Silk Drums, Bolero, Sarajevo and Football, Football. He also adapted several texts including Alfred Jarry’s Ubu Roi, Aristophanes’ The Birds, Miroslav Krleža’s Europe Today, Nigel Williams’ Class Enemy” and several others. He writes essays and articles.

In 2002, Pašović made a spectacular comeback to theatre directing Shakespeare’s “Romeo and Juliet” in front of the Parliament of Bosnia and Herzegovina in a downtown Sarajevo. This was a brave futuristic production about a Muslim Romeo and a Christian Juliet, which involved 25 actors and live musicians, 1000 sq. m of stage, a 60-member crew, arms, vehicles, fireworks, video projections across the façade of the Parliament building and has stopped the traffic in the main city artery for four hours each night it was performed.

During the siege of Sarajevo (1992–96) Pašović spent most of the time in Sarajevo managing the MES International Theatre Festival. He directed plays and produced several shows, among others Waiting for Godot, directed by Susan Sontag. In 1993, while Sarajevo was still under the siege, he also organized the first Sarajevo Film Festival “Beyond the End of the World” and was one of the most prominent advocates of naming a square in Sarajevo after Susan Sontag. Pašović even managed to tour in 1994 to several European countries (under UNESCO auspices) with the Sarajevo Festival Ensemble invited by Peter Brook and Théâtre des Bouffes du Nord. During the tour, the Ensemble performed two productions he had directed in the besieged city: Silk Drums based on the Noh plays, and In the Country of Last Things, based on Paul Auster’s novel.

He directed in some of the most significant theatres in the former Yugoslavia and participated in a number of festivals worldwide. His productions of Frank Wedekind’s Spring Awakening and Calling the Birds based on Aristophanes’ play The Birds (both at the Yugoslav Drama Theatre, Belgrade 1987/90) have been considered as the landmarks in the theatre of the former Yugoslavia. Likewise, Samuel Beckett’s Waiting for Godot (Belgrade Drama Theatre) and Alfred Jarry’s Ubu Roi (National Theatre Subotica) have been considered as the classic productions in the ex-Yugoslav theatre, the former being the last Yugoslav premiere performed on the eve of the war in the country. As the artistic leader of theatre Promena (“Change”), Pašović directed with a great success Wiess’s Marat/Sade; Wedensky’s The Christmas Three at the Ivanovs; Kis’s Simon the Magus on a lake surrounded by sand desert; Buñuel’s Hamlet placed in the fortress sitting on a rock rising from the Adriatic Sea (Dubrovnik Summer Festival) and many other plays.

Haris Pašović (born 16 July 1961) is a Bosnian theatre director. Over the course of his career, he has also worked as a playwright, producer, choreographer, performer, and designer. He is best known for his productions of Wedekind’s “Spring Awakening”. He is the artistic leader of the East West Theatre Company in Sarajevo and tenured Professor of Directing at the Academy of Performing Arts in Sarajevo.

Pašović was born in Sarajevo, Bosnia and Herzegovina in 1961. His education includes the Academy of Performing Arts in Novi Sad, former Yugoslavia; the Fulbright Scholarship in the USA (University of Hawaii, Honolulu, New York University and the University of Wisconsin, Madison); the UNESCO High Levels for Directors, Festival d’Avignon, France, and other professional trainings.

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