Age, Biography and Wiki

Miya Ando was born on 1973, is an artist. Discover Miya Ando’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of networth at the age of 50 years old?

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Age 50 years old
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Born 1973, 1973
Birthday 1973
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Nationality

We recommend you to check the complete list of Famous People born on 1973.
She is a member of famous artist with the age 50 years old group.

Miya Ando Height, Weight & Measurements

At 50 years old, Miya Ando height not available right now. We will update Miya Ando’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don’t have much information about She’s past relationship and any previous engaged. According to our Database, She has no children.

Family
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Miya Ando Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Miya Ando worth at the age of 50 years old? Miya Ando’s income source is mostly from being a successful artist. She is from . We have estimated
Miya Ando’s net worth
, money, salary, income, and assets.

Net Worth in 2023 $1 Million – $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

In 2019, Ando created Ginga (Silver River), a textile banner which meandered through the landscape of the Socrates Sculpture park in Queens, New York.

Ando is a 16th-generation descendant of Bizen sword maker Ando Yoshiro Masakatsu.

Ando has been the recipient of numerous grants and awards, including the Pollock-Krasner Foundation Grant Award and Commission for The Philip Johnson Glass House, New Canaan, CT. In 2015, Ando’s sculpture Shou Sugi Ban, was featured in Frontiers Reimagined, a group exhibition at the Palazzo Grimani di Santa Maria Formosa Museum during the 56th Venice Biennale.

Ando’s work has been featured in solo exhibitions at institutions including The Asia Society Texas, Houston, The Noguchi Museum, Long Island City, New York, SCAD Museum of Art (Savannah College of Art and Design), Georgia; The Nassau County Museum of Art, Roslyn, New York; and the American University Museum, Washington DC. Artworks by Ando have also been featured in group exhibitions at institutions including: the Los Angeles County Museum of Art (LACMA); The Detroit Institute of Arts; Crystal Bridges Museum of American Art, Bentonville, Arkansas; Haus Der Kunst, Munich, Germany; The Bronx Museum of Arts, New York; and the Queens Museum, Corona, New York. Ando’s work is included in the collections of LACMA, and the Detroit Institute of Arts, MI, as well as in numerous other public and private collections. In 2014 Ando was invited to lecture at New York’s Metropolitan Museum of Art. In 2018 Ando exhibited her glass cloud sculptures in a solo exhibition at the Noguchi Museum in New York City and at the Katzen Arts Center at the American University Museum.

Ando has also completed public commissions for Montefiore Hospital, Bronx, New York, Bang and Olufsen, the Thanatopolis Exhibition, San Francisco General Hospital, and CalFire. In 2011, Ando worked on commissions for the Haein Art Project in Korea and the Fist Art Foundation in Puerto Rico. Ando has been a participant in the US State Department Art in Embassies Program, and created a memorial for the Tohoku Earthquake and Tsunami for the Nippon Club of New York City.

Commissioned by the 9-11 London Project Foundation as a permanent addition to Queen Elizabeth Olympic Park, in front of Zaha Hadid’s Aquatic Center in London, England, Ando’s sculpture stands eight meters tall and is made from steel recovered from the World Trade Center buildings. Ando’s memorial sculpture Since 9/11 (2011) honors the victims of the 2001 attack on the World Trade Center Twin Towers in New York City.

In 2009, Against the Stream Buddhist Meditation Society commissioned Ando’s piece, 8-Fold Path, which consists of a grid of four steel square canvases measuring 4 feet each. The work was featured in a July 2009 article for Shambhala Sun for its “meditative” nature and “spiritual” influence. Also in 2009, Ando created Fiat Lux (Let There Be Light), a grid of 144 individual 5 × 5 inch steel canvasses for the meditation room in Brooklyn’s St.John’s Bread and Life Chapel. Ando was also commissioned by president Jay Davidson of The Healing Place, Lexington, KY, to produce an installation for its non-denominational chapel. Ando’s forty-foot, phosphorescent-coated steel piece, Shelter[Meditation 1-12], collects sunlight during the day and radiates blue at night.

Miya Ando (born 1973) is an American visual artist recognized for her paintings, sculptures, and installation artworks that address concepts of temporality, interdependence, and impermanence. Ando’s artworks have been exhibited in museums, galleries, and public spaces worldwide.

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